Ken Tucker

Ken Tucker reviews rock, country, hip-hop and pop music for Fresh Air. He is a cultural critic who has been the editor-at-large at Entertainment Weekly, and a film critic for New York Magazine. His work has won two National Magazine Awards and two ASCAP-Deems Taylor Awards. He has written book reviews for The New York Times Book Review and other publications.

Tucker is the author of Scarface Nation: The Ultimate Gangster Movie and Kissing Bill O'Reilly, Roasting Miss Piggy: 100 Things to Love and Hate About Television.

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Music Reviews
10:22 am
Thu June 14, 2012

On 'Banga,' Patti Smith Pays Homage To Friends

Patti Smith.
Courtesy of the artist

Originally published on Thu June 14, 2012 3:39 pm

Featuring Patti Smith's former New York punk-era colleague Tom Verlaine on solo guitar, "April Fool" is one of the prettiest songs on Smith's new album, Banga. Verlaine sends out long, thin, delicate tendrils of sound as Smith's voice suffuses the melody with full-throated urgency. Although Smith has said, with typical art-democratic directness, that "almost everybody in the world can sing," a few songs on Banga make you aware of what a good voice she has.

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Music Reviews
9:43 am
Wed June 6, 2012

Making Music From Messy Relationships With 'Kin'

The new album Kin is a collaboration between author Mary Karr and singer-songwriter Rodney Crowell.
Deborah Feingold

Originally published on Fri June 8, 2012 9:08 am

It's not unusual for poets to try their hands at pop music-making. Patti Smith was a poet before she was a rock star. In recent years, print-poets such as David Berman and Wyn Cooper have put out more-than-credible song collections. But Mary Karr, known more for prize-winning memoirs such as The Liars Club and Lit than for her excellent poetry, has taken a high-profile risk that's paid off.

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Music Reviews
9:40 am
Fri June 1, 2012

Diamond Rugs: Carefully Constructed Drinking Tunes

Diamond Rugs.
Amie Ledford

Originally published on Fri June 1, 2012 11:11 am

Diamond Rugs is one those bands that wants you to think it prizes spontaneity and sloppy good fun more than careful song construction and technical polish. And the album, also titled Diamond Rugs, almost succeeds in convincing you of its sloppy aesthetic, dispensing songs about drinking and carousing only to be left morose, in one's cups.

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Music Reviews
10:38 am
Mon May 21, 2012

John Fullbright: How To Connect 'From The Ground Up'

Though he's not yet 25, Fullbright's music sounds like he's lived through a lot — or at least thought it through.
Vicki Farmer

Originally published on Thu May 24, 2012 6:51 am

John Fullbright's voice rises up and around the guitar chords in "Me Wanting You," his tone intended to haunt the person he's addressing. His desire, his "me wanting you," is as direct as he can possibly make it — it's not a cry of despair or hope or lust. It's the sound of someone intent on making as strong a connection with the listener as he possibly can.

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Music Reviews
8:53 am
Mon April 23, 2012

Todd Snider: 'Stoner Fables' With A Layered Worldview

Courtesy of the artist

Originally published on Mon April 23, 2012 9:20 am

Todd Snider is, on one level, your average guitar-strumming singer-songwriter with varying amounts of musical accompaniment for songs he sings with mush-mouthed intimacy. But Snider, now in his mid-40s and impressively prolific, is also an exceptional singer-songwriter, able to set up scenes with quick, precise details.

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Music Reviews
9:41 am
Mon April 16, 2012

Loudon Wainwright III Looks Back At His 'Old Man'

As Loudon Wainwright III says in his song "In C," he likes to sing about "my favorite protagonist — me."

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Music Reviews
10:25 am
Tue April 10, 2012

Bonnie Raitt's 'Slipstream': A Barnstorming Good Time

Bonnie Raitt.
Courtesy of the artist

Originally published on Tue April 10, 2012 2:39 pm

The warmth and vigor of Bonnie Raitt's voice throughout her new album Slipstream, even when she's covering an oldie such as Gerry Rafferty's "Right Down the Line," is vital and fresh — urgent, even. Raitt has always possessed a gift for taking a familiar phrase and rendering it in a manner that compels a listener to think anew about what the words really mean.

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Music Reviews
9:11 am
Tue April 3, 2012

There's Only 'One Direction' For This Boy Band: Up

One Direction.
Courtesy of the artist

The callow croon over a pulsating beat, the massed harmonies in the chorus, the lyrics about partying that name-check Katy Perry and include a wistful wish for a nameless girl to kiss the singer — this is boy-band music at its newest and its most timeless. The five young guys who comprise One Direction are single-minded.

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Music Reviews
10:27 am
Mon March 5, 2012

Dierks Bentley's 'Home' Is Full Of Country Struggles

Courtesy of the artist

Dierks Bentley has a nice, deep voice; an open, friendly demeanor; and a knack for working in a variety of country-music genres, from bluegrass to power ballads. For all that, it's always been difficult to pin down what Bentley aims to do. Although he's only in his 30s, Bentley sounds as though he's working through a bit of a midlife crisis on his new album Home. Take, for example, the single "Am I the Only One," a novelty tune about going out to party with a twist — not many of Bentley's pals want to join him, because they've settled into adulthood, and he hasn't.

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Music Reviews
9:31 am
Tue February 21, 2012

'Barchords': An Intense, Pensive Album About Love

Afie Jurvanen
Dave Gillespie All Eyes Media

Originally published on Wed March 14, 2012 8:54 am

The song "I Got You Babe," on Bahamas' new album, Barchords, is obviously not Sonny and Cher's "I Got You Babe." This version is an original song the Canadian singer-songwriter Afie Jurvanen, who records under the stage name Bahamas, has written about holding and losing someone.

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Music Reviews
9:28 am
Wed February 8, 2012

Chuck Prophet's 'Beautiful' Homage To San Francisco

Chuck Prophet.
Charlie Homo

Chuck Prophet's new album, Temple Beautiful, takes its name from a former synagogue that hosted punk-rock shows in the late '70s and early '80s; it was next door to the temple overseen by cult leader Jim Jones. That may sound like a grim or black-humored reference point around which to erect an album, but with Prophet, grimness, humor, fact and fiction mingle freely. Before anything else, he's a guitar player with a melodically nasal voice whose phrasing favors the whimsical and the querulous.

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Music Reviews
9:58 am
Thu February 2, 2012

Lana Del Rey: The Self-Made Pop Star As Target

Lana Del Ray
Nicole Nodland Shore Fire

Lana Del Rey appeared on Saturday Night Live recently, giving two rather tentative performances that, depending on your point of view, were awkward and amateurish or shrewdly restrained and vulnerable. Del Rey, in her mid-20s, attracts polarizing opinions.

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Country
10:02 am
Thu January 12, 2012

Janie Fricke: The 'Country Side Of Bluegrass'

Janie Fricke.
Courtesy of the artist

Originally published on Thu January 12, 2012 12:14 pm

Janie Fricke has had a long, winding career. She started out as a singer of TV commercial jingles, warbling for Coca-Cola, McDonald's and Red Lobster, among other clients. She then moved on to singing back-up vocals for stars such as Elvis Presley, Loretta Lynn and Dolly Parton.

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Music Reviews
9:36 am
Thu January 5, 2012

On 'Back To Love,' Hamilton Makes Every Syllable Count

Anthony Hamilton.
Courtesy of the artist

On Back to Love, Anthony Hamilton makes music from declarations. He tells a woman "I'm missing you crazy" in "Who's Loving You," and it's typical of his strategy. He states his thesis, his opinion, his desire in a voice that speaks as much as it sings for the sake of emphasis. After he's sure he's gotten his lover's attention, he begins doing his rhythm-and-blues work, mixing soul and blues and hip-hop phrasing to heighten the emotion in a song.

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Best Music Of 2011
8:09 am
Tue December 20, 2011

Ken Tucker's Top 10: The Year In Music

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