Linda Holmes

Linda Holmes writes and edits NPR's entertainment and pop-culture blog, Monkey See. She has several elaborate theories involving pop culture and monkeys, all of which are available on request.

Holmes began her professional life as an attorney. In time, however, her affection for writing, popular culture and the online universe eclipsed her legal ambitions. She shoved her law degree in the back of the closet, gave its living-room space to DVD sets of The Wire and never looked back.

Holmes was a writer and editor at Television Without Pity, where she recapped several hundred hours of programming — including both High School Musical movies, for which she did not receive hazard pay. Since 2003, she has been a contributor to MSNBC.com, where she has written about books, movies, television and pop-culture miscellany.

Holmes' work has also appeared on Vulture (New York magazine's entertainment blog), in TV Guide and in many, many legal documents.

On this week's Pop Culture Happy Hour, we're finally all back together again, with Trey back from his brief illness. As you might imagine from our past discussions, we did take some time this week to talk about The Hunger Games, because we've all read it, we all know it, and we know you know we know ... well, you know. We talk about the pacing, the acting, the faithfulness to the book, and lots more.

On a recent commute to work, I found myself listening to a recording of Cole Porter playing a song he wrote, called "The Kling-Kling Bird On The Divi-Divi Tree." Published in 1935 and introduced in the show Jubilee, it's not an especially famous Porter number now, which is just as well, given the fact that its story of a man visiting strange lands and being seduced by exotic women has an unfortunate feeling of ...

Mirror Mirror, one of several Snow White adaptations currently kicking around in popular culture, is a welcome and entertaining surprise: a gorgeous, frothy comedy that, like Enchanted and The Princess Bride before it, operates both as a fairy tale movie and as a sendup of same.

With Sunday's long-awaited fifth-season premiere of Mad Men finally arriving, Eleanor Clift recently wrote a cover story for Newsweek about what it was like for her as a young employee at Newsweek at around the same time, in the late 1960s, that the show is set. On Sunday's Weekend Edition, she talks to Susan Stamberg about what that time was like.

On Friday's Morning Edition, Elizabeth Blair investigates one of television's pressing questions: Why has Mad Men been off the air so long? It's returning this Sunday night with a two-hour season premiere, but it's still puzzled some viewers that it has been off for such a long time.

There's a movie freshly out this weekend — perhaps you've heard of it.

The Hunger Games?

On Friday's Morning Edition, director Gary Ross and star Jennifer Lawrence talk to NPR's David Greene about the film.

[UPDATE: It's now being reported that the New York Jets have acquired Tim Tebow. More chatter about that will undoubtedly follow.]

It's not easy being one of the last soaps standing, as Neda Ulaby reports on today's Morning Edition. For fans, the shuttering of iconic shows like All My Children and Guiding Light has upended routines that, for some, date back to childhood. When I was in high school, my soap of choice was Days Of Our Lives, which Neda says has changed a lot since that era — well, it's changed and it hasn't.

Kristin Chenoweth talks to Jacki Lyden on today's Weekends on All Things Considered, and if the only thing you got from the interview was Chenoweth warbling a bit of the first solo she ever did in church, it would be well worth it.

The Emmy-winning actress stars on ABC's new GCB, a sort of Desperate-Housewives-ish dishy, soapy comedy-drama premiering Sunday night at 10. She's come quite a long way since, as she explains, her father negotiated her first contract.

It's perhaps fitting that during a year when Hollywood made even more films than usual about the love of film itself, the two big winners at the 84th Academy Awards on Sunday night were the movies most overtly about cinephilia: The Artist, a silent black-and-white film about silent black-and-white films, and Hugo, the story of a boy who meets a reclusive filmmaker and helps him rediscover his love of his art.

In the end, there were nine nominees for Best Picture announced on Tuesday morning, and eight of them were entirely predictable: The Artist, The Descendants, The Help, Hugo, Midnight In Paris, War Horse, The Tree Of Life, and Moneyball.

John Hawkes' conversation with Melissa Block on today's All Things Considered begins as many of his conversations might: with her noting that when she told people she was coming to talk to him and rattled off his credits, she got a response that he undoubtedly gets a lot: "Ohhh, he's that guy."

It's almost here. And by "it," we mean the new season of Downton Abbey, the UK-produced drama about the Crawley family and their servants that PBS imported for Masterpiece Classic with great success. Series two has already run in the UK, but if you've been good and patient and resisted the urge to obtain it by illicit means, your wait is nearly over: the new season begins on PBS on January 8th.

Is it pure whimsy that makes something like "Callin' Oates" appealing?

If you pick up your phone and call 719-26-OATES — at least as of this writing — you'll get a computerized woman's voice telling you what numbers to press to hear one of four Hall & Oates songs.

The question, of course, is ... why?

You might think Harry Potter fever would be petering out now that the books and the films have come and gone. You, of course, would be wrong, as Ben Bergman reports on today's Morning Edition.

From a pop culture perspective, Hugh Grant's testimony yesterday about ethics in journalism is a fascinating step for a guy who's already had a pretty interesting trajectory.

Following the exit of producer Brett Ratner from the upcoming Oscars telecast yesterday, Eddie Murphy — whose new film Tower Heist is also Ratner's latest directorial effort — has stepped aside as host of the 2012 show, the Academy of Motion Picture Arts and Sciences announced today.

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