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Bon Iver On World Cafe

Justin Vernon of Bon Iver.
D.L. Anderson
Justin Vernon of Bon Iver.

This session, from Sept. 2, 2011, is part of our Vintage Cafe series, in which we revisit some of our best studio performances.

It's a stretch to call "Beth/Rest" 2011's most divisive song, but it's hard to discuss Bon Iver's second album without weighing in on its '80s-style closer. Next to the lush, impeccably crafted grace that precedes it, "Beth/Rest" couldn't be more jarring: With its electric keyboards, saxophones and epic guitar solos, the track could double as the lost love theme to a misbegotten action movie in which Morgan Fairchild seduces a suave diamond thief played by Lou Diamond Phillips.

In circles where such matters are discussed, "Beth/Rest" has become synonymous with "cheesy," defended primarily by contrarians. Which is too bad, because the song is a grower — at worst, there's clearly beauty in there somewhere. Singer Justin Vernon has defended "Beth/Rest" endlessly, and has clearly fallen more deeply in love with the arrangement the more people make fun of it, to the point where he always performs it with its moist embellishments intact.

Until now. As part of a stripped-down set for World Cafe, Vernon threw in a spare solo arrangement of "Beth/Rest" — no saxophones, no solos — on a real, unplugged piano. Vernon still takes his vocal in unexpected places, especially early on, but if you're one of those "Beth/Rest"-haters who wishes the song would get stripped naked and dressed in something more comfortable, you'll want to listen to this. And, as part of a half-hour performance and discussion with host David Dye, Vernon plays two other Bon Iver songs: "Holocene," from Bon Iver, and the lovely but lesser-known "Beach Baby," from 2009's Blood Bank EP.

Copyright 2013 XPN

Stephen Thompson is a writer, editor and reviewer for NPR Music, where he speaks into any microphone that will have him and appears as a frequent panelist on All Songs Considered. Since 2010, Thompson has been a fixture on the NPR roundtable podcast Pop Culture Happy Hour, which he created and developed with NPR correspondent Linda Holmes. In 2008, he and Bob Boilen created the NPR Music video series Tiny Desk Concerts, in which musicians perform at Boilen's desk. (To be more specific, Thompson had the idea, which took seconds, while Boilen created the series, which took years. Thompson will insist upon equal billing until the day he dies.)