KRWG

Intermezzo

Weekdays, 2pm to 4pm
  • Hosted by Leora Zeitlin and Cherokee Sullinger

Classical music and local features and interviews.

L

Raised in a family of cellists, Mark Kosower might have pursued a different career, but he knew by the age of four that “cello was it.” By college, he also knew he wanted to teach, “not only to help somebody learn an instrument, and not only to become a better musician, but also because you influence them personally, too – what music can do for you as a human being.” In this conversation with KRWG’s Intermezzo host Leora Zeitlin, Kosower discusses his life as a cellist and as a teacher, and along with LCSO conductor Lonnie Klein, analyzes the music elements and background to Edward Elgar’s

Leora Zeitlin

Music is a way “to achieve our dreams,” says violinist and conductor Simon Gollo, who came to Las Cruces to join La Catrina String Quartet and to teach at NMSU. As a native of Venezuela, Gollo has been part of the renowned “El Sistema,” which has trained 400,000 young musicians to the point that “the whole country is making music,” he says. Gollo wants to bring that same passion and sense of opportunity to students here, where, in addition to teaching, he is the new conductor of the NMSU Philharmonic Orchestra, the university’s student ensemble.

Leora Zeitlin

For more than 500 years, Brazilians have created and danced to music drawn from a rich and colorful mix of influences: Amerindian, African, Portuguese, European classical, rural folk styles, and numerous religious and cultural traditions. All those influences also fed the Brazilian classical composers of the 20th century as they created uniquely Brazilian music for the concert stage. Music by some of those composers, including Heitor Villa-Lobos, Francisco Mignone, M.

Leora Zeitlin

When David Beasley was preparing to deploy to Iraq with the US Air Force in the mid-2000s, he composed a piece for band that would reflect the three realms in which the Air Force worked: air, space and cyberspace. The piece itself embodied another sphere that has long enjoyed a historic relationship with the military: music. “It goes all the way back to the Bible. You hear about the horns at Jericho,” Beasley told Intermezzo host Leora Zeitlin in an interview at KRWG.

Leora Zeitlin

“A grand hug from an unconditionally-loving soul,” is how internationally-acclaimed violin virtuoso and prodigy Caroline Goulding describes the slow second movement of the Beethoven Violin Concerto, which she’ll perform this weekend with the Las Cruces Symphony Orchestra.

Leora Zeitlin

After living and traveling in Jordan, Israel and elsewhere in the Middle East, Zack Manning moved to Chicago to get a graduate degree in Middle East studies, but that didn’t hinder him from pursuing his other passion: music. Working with his teacher Dr. Fred Bugbee and the NMSU Music Department, Manning arranged to work toward a graduate music degree as well, and tonight, he’ll perform his Master’s recital at the Atkinson Recital Hall.

Leora Zeitlin

Tuba jazzman Jim Shearer and Dixieland clarinetist Mike Sizer have been talking about playing a gig together for years, but it took until now for that  dream to come to fruition. The two, joined by the Second Line Survivors Band, will perform a pair of concerts, first in Carrizozo on Thursday and at the Rio Grande Theatre in Las Cruces on Friday. The instantly-recognizable style of music called Dixieland is a blend of ragtime, Sousa march music, and improvisational techniques that grew out of New Orleans street music.

Leora Zeitlin

Young actors and actresses in the Starlight Children’s Theatre Company will don costumes, and for some, English accents, this weekend, as they stage Gilbert and Sullivan’s beloved comic operetta, “H.M.S. Pinafore.” Appearing on stage might seem overwhelming to a particularly shy child.

Two student musicians will showcase very different eras of music this weekend in the spring concert of the New Horizons Symphony Orchestra. Flutist Dominic Lowhar will play a movement from a Mozart Flute Concerto, and xylophonist Nathan Dossey will play from the Concertino for Xylophone and Orchestra by 20th century Japanese composer Toshiro Mayuzumi, as the 2016 winners of the orchestra’s “Young Artist Competition.” Conductor Dr.

Leora Zeitlin

For pianist Jon Nakamatsu, the biggest surprise in the 19 years since he won the Van Cliburn International Piano Competition in 1997 is “how fast the time has gone.” But, he adds, “what I’m doing is somewhat timeless,” and getting to work with great musicians the world over is “what makes the time go so fast. All I wanted to do was play.” He will perform Edvard Grieg’s Piano Concerto with the Las Cruces Symphony Orchestra this weekend in the orchestra’s final concerts of the season.

Leora Zeitlin

The Mesilla Valley Concert Band’s final concert of the year will include two works by Alfred Reed, an American composer whom conductor William Clark describes as “a genius with the wind band – everything he does is well-done.” The concert will also feature saxophone soloist Nathaniel Berman in the Concerto for Alta Saxophone by Robert Mucynski, along with works by Aaron Copland, John Philip Sousa and a salute to some of the great jazz tunes of the mid-20th century. Clark came by the KRWG studios to talk with Intermezzo host Leora Zeitlin about the composers and the concert.

Leora Zeitlin

When choral director John Flanery heard Mozart’s Requiem in a concert last summer, he thought, “I need to get that back to the top of my bucket list.” The piece, he says, always has “a new emotional connection and emotional charge,” and comes from “perhaps the most perfect composer of all time.” Flanery will conduct the Requiem in a pair of concerts this weekend with the combined NMSU choirs. He and Taylor Hightower, who will sing the bass solo part in the concerts, came to KRWG to talk about the Requiem with Intermezzo host Leora Zeitlin.

Leora Zeitlin

Canadian harpist Caroline Cole says people sometimes have a limited notion of what a harp can do and sound like. Her varied career includes performing with symphony orchestras and indie rock bands, in New York performances of The Fantastiks and in the restaurant of the famed Waldorf Astoria hotel, with choirs and dance companies, and in chamber and solo recitals. “It’s a whole new world of opportunities,” she says, and her hope is to “stretch the ears” of her audiences to recognize the versatility of the instrument.

Leora Zeitlin

Soprano Adrienne Danrich grew up singing pop with her father’s band, then developed an active opera career, and now simply calls herself a “singer.” “I used to label myself an operatic singer,” she told Intermezzo host Leora Zeitlin in this interview at KRWG, “but that doesn’t encompass everything a singer has to do.” She performs this Sunday with pianist Djordje Nesic at St. Paul’s United Methodist Church in a program that includes Broadway, opera arias, spirituals, pop and the premiere for her own poetry set to music by Dave Hall. Doug Weeks, music director at St.

Leora Zeitlin

When Yevgeny Kutik’s family left the Soviet Union in 1990, they were forced to leave most of their belongings behind. But his violinist mother insisted on filling one of her suitcases with sheet music, and much later, when Kutik – who by then was also  a violinist – took a closer look at it, he discovered many musical treasures, some of which he has now recorded.

Leora Zeitlin

Countless symphonic bands are thriving in towns, cities and schools all over the US, and one of the most prolific composers writing for these ensembles is James Curnow. One of his works will be performed this Sunday by two of the most beloved groups in the region: the Mesilla Valley Concert Band and the El Paso Brass Quintet. Conductor John Schutz and El Paso Brass tuba player James Shearer came to talk with KRWG’s Intermezzo host Leora Zeitlin about how they procured this out-of-print music, the rise of community bands, and some of the other musical pieces on the program.

A musical collaboration at upcoming NHSO concert

Feb 18, 2016
Leora Zeitlin

Horn player L. William Kuyper says that an orchestral player who steps out in front to be a soloist has to “be a leader, and give forth his or her own interpretations,” instead of adapting to that of the conductor. “And we must honor his ideas,” says conductor Marianna  Gabbi, who will lead the New Horizons Orchestra in several works this weekend, including Mozart's Horn Concerto No. 3, with Kuyper as soloist. Kuyper retired from his position as horn player in the New York Philharmonic several years ago, and has been making music in Las Cruces ever since.

Leora Zeitlin

Sixty talented students and community members will take to the stage this weekend to bring some of the latest and greatest Broadway show tunes to Las Cruces audiences. “Broadway Today” will include 22 songs from shows that were produced on Broadway in the last year, some as new productions and some as revivals. Director Megan McQueen came to KRWG to talk with Intermezzo host Leora Zeitlin about the new revue, which reflects the diversity of contemporary American theater by including voices and songs from Latino, African-American, Asian, deaf and other minority communities.

Leora Zeitlin

Chris Sanders once said that when she and fellow Hard Road Trio members play with musicians from diverse backgrounds, they all become “ambassadors of joy.” She and the Hard Road Trio have a new cd out, “Smoke and Redemption,” and they invited Senegalese guitarist/composer/singer King Ibu to join them in the cd-release concert on Saturday, Dec.

Leora Zeitlin

Most Americans know the music of Henry Mancini, including his renowned “Pink Panther” theme, but fewer know the composers Clare Grundman and John Edmondson, though they each wrote prolifically for band. All three are among the composers to be featured in the December concert of the New Horizons Band, conducted by John Schutz. Schutz came to KRWG to talk with Intemezzo host Leora Zeitlin about the concert, which will also include an appearance by the Good Time Singers, conducted by his wife, Diane Schutz.

Leora Zeitlin

American composer Alfred Reed’s band suite “Othello” is so challenging, evocative and “absolutely delightful” that it becomes “the centerpiece of the concert whether you want it to or not,” quipped Dr. William Clark in a brief conversation about the upcoming concert of the Mesilla Valley Concert Band. The ensemble will perform Othello in its entirely, along with works by Roger Nixon, Claude T. Smith, and as always, John Philip Sousa. Dr. Clark talked with Intermezzo host Leora Zeitlin about the composers and the concert, which takes place on Sunday, Dec. 13.

All-Latin American music concert by La Catrina Quartet

Dec 10, 2015
Leora Zeitlin

A concert with the Latin-Grammy Award winning La Catrina Quartet always includes something new, and tonight, the ensemble is offering not only a program entirely by Latin American composers but also its first foray into jazz. Violinist and founding member Daniel Vega-Albela came to KRWG to speak briefly with Intermezzo host Leora Zeitlin about the music, including some arrangements by La Catrina’s cellist, Jorge Espinoza.

Leora Zeitlin

Elena Ulyanova has a special relationship with the music of Russian composer Sergei Rachmaninoff, whose “Rhapsody on a Theme by Paganini” she will perform with the Las Cruces Symphony Orchestra this weekend.

L

Natasha Korsakova grew up surrounded by music: her father and grandfather were virtuoso Russian violinists (Andrei and Boris Korsakov), her mother a pianist, and even the neighbors in their Moscow apartment building could be heard practicing through the walls. Today, she carries on her family tradition as an acclaimed concert violinist who in the last month alone has performed in Germany, Italy and several states in the U.S. Korsakova is also fluent in five languages.

Two old friends take to the stage with Beethoven

Oct 29, 2015
Leora Zeitlin

Long-time friends and colleagues, conductor Marianna Gabbi and pianist William Leland, will reunite on stage this weekend, when Leland – who taught piano at NMSU for decades and now lives in Oregon – returns to Las Cruces to perform with the New Horizons Orchestra. The program features the Beethoven Piano Concerto No. 4, written when Beethoven was already growing quite deaf, which Gabbi describes as “an incredible concerto” whose great depth stems from Beethoven’s suffering.

Leora Zeitlin

The challenge for anyone producing opera in the 21st century is “to make the music jump off the page and into the hearts and ears of our listeners,” says John Carlo Pierce, director of the Dona Ana Lyric Opera. Pierce hopes to do just that this weekend when DALO and the Dona Ana Arts Council present two contemporary one-act operas that are perfectly themed for Halloween and Dia de los Muertos: “The Cask of Amontillado,” by Daniel Pinkham based on the Edgar Allen Poe’s story of revenge, and “The Verloren Opera,” by NMSU Music Department Chair Lon W. Chaffin, about a haunted opera house.

Leora Zeitlin

Ghosts, spook lights and other strange phenomena inspired the “Haunted America Suite,” by Justin Raines, an NMSU graduate now working as a composer in Los Angeles, and in the first performances and recording sessions, doors slammed, lights went out, and other spooky things happened. Just in time for Halloween, Jim and Celeste Shearer, and several other musicians from Las Cruces and El Paso, will offer an encore performance of the suite at 7:30 p.m on October 29, at the Atkinson Recital Hall, along with works by Frank Gulino, Elizabeth Raum and NMSU Music Department Chair Lon W. Chaffin.

Leora Zeitlin

Three NMSU choirs will perform a concert this week entitled “Beginnings,” an appropriate theme as the singers and the audience welcome Dr. John Flanery as the new Director of Choral Studies at the university. Originally from Iowa, and more recently Mississippi, Flanery  has conducted numerous ensembles at the high school and university levels.

Leora Zeitlin

They may not have the fabled 76 trombones in their brass section, but the Mesilla Valley Concert Band does have nine, and they will all be featured in the opening concert of the season this weekend. Trombonist and arranger Tom Wildman, who has played with the MVCB for some 25 years, has arranged a version of Meredith Willson’s “76 Trombones” for the entire ensemble. He and conductor Dr.

Leora Zeitlin

Allison Eldredge says that if you had asked her at age 11 what she wanted to be when she grew up, she would have a said a great concert cellist. Within five years of that age, she was performing as a soloist with the Chicago Symphony Orchestra under Daniel Barenboim, and has continued to bring her music to audiences around the world in recitals, orchestral concerts, chamber music performances and on multiple recordings. Eldredge will perform Tchaikovsky’s “Variations on a Rococo Theme” as the soloist with the Las Cruces Symphony Orchestra in the opening concerts of the 2015-2016 season.

Pages