Arts

Current-events buffs probably think they know the tale of WikiLeaks and its founder, Julian Assange. Prolific filmmaker Alex Gibney may have thought the same when he began researching his film We Steal Secrets. But this engrossing documentary soon diverges from the expected.

Even the movie's title, or rather the source of it, is a surprise. Not to spoil the fun, but it's neither Assange nor one of his allies who nonchalantly acknowledges that "we steal secrets."

Before you see any of Behind the Candelabra -- when you just consider the concept of the TV movie and its casting — this new HBO Films production raises all sorts of questions: How much will be based on verifiable fact, and how much will be fictionalized? On an anything-goes premium-cable network such as HBO, how graphic will the sex scenes be?

And the most important questions involve the drama's two leading men, playing an ultra-flamboyant piano player and the wide-eyed young man who becomes his behind-the-scenes companion for five years. Michael Douglas? Matt Damon?

Writings from childhood — cards, stories and other notes — can hide for decades, like time capsules tucked away in boxes, old bedrooms, attics and journals. Writer Jim Sollisch talks about how old thank you notes from his youth foreshadowed his adult life.

1. Newton's Laws Of Motion

2. The Reluctance Of Brilliant Criminal Masterminds To Freely Confess

3. The Inability Of Two Things To Coexist In The Same Physical Space

4. The Integrity Of Vending Machines

5. Gravity

6. Gina Carano's Ability To Snap Most Of These People Like Twigs Pretty Quickly, If We're Being Honest

7. The Hardness Of Cars, Which Are Actually Kind Of Uncomfortable To Land On From Great Heights

The biggest problem with pretending all of reality television is categorically odious is that it denies us the opportunity to identify and hold accountable what is actually odious. To those who insist that it's all gross — that no matter the documentary aspirations or good-natured competitiveness of plenty of unscripted television, it all belongs in the same giant dumpster — I am your Crocodile Dundee of distaste: Those aren't destructive and grotesque and irresponsible. This is destructive and grotesque and irresponsible.

Hip-hop mogul Dr. Dre and music producer Jimmy Iovine recently donated $70 million to the University of Southern California. Many people are applauding their generosity, but some aren't so happy. Host Michel Martin speaks with Walter Kimbrough, President of Dillard University, about why he thinks an HBCU should have gotten the money.

David Greene talks with Morning Edition film critic Kenneth Turan about some of the movies at this year's Cannes Film Festival in France. They include a standout from American director Alexander Payne called Nebraska. Turan first covered the movie festival 42 years ago.

[Note: Before Midnight is an especially difficult movie to write about, simply because for some people, even what has become of Jesse and Celine since Before Sunset is information that they don't want. But it's impossible — absolutely impossible — to write about the movie without talking about where they stand and what the premise is. I did my absolute best to spoil as little beyond that as possible.

The daily lowdown on books, publishing, and the occasional author behaving badly.

It's true enough that there's plenty wrong with Gatsby Le Magnifique, as the French are calling the latest from director Baz Luhrmann. But what better film could there have been to open the sensory onslaught that is the Cannes Film Festival than one orchestrated by that patron saint of overstimulation?